Thursday, February 4, 2010

Charles Clary



Charles Clary layers colored paper to build up variegated textures and sinewy shapes into large scale installations. His constructions appear ever-expanding, overwhelming exhibition spaces like replicating viruses or reverberating sound waves. The pieces may look like they’re highly orchestrated precision-cut sculptures, but Clary favors a more organic creative philosophy: “It’s all intuitive. It’s just one layer playing off another, playing off another,” he says. “But I do try to make the viewer wonder whether they’re handmade or if industrial equipment is used, so I have to be very clean with my cuts.”







1 comment:

Lu said...

it reminds me of an uruguayan artist ana bidart http://www.flickr.com/photos/anitabling

 

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