New York City artist Alyson Shotz replicates nature as many of us experience it—interfaced with technology and filtered through culture; tamed, trimmed, and patented. Working in a variety of media, from large-scale installations to digital photography and painting, Shotz is intrigued by the notion of nature as “purely a human construction.” Some of her artworks are artificial versions of living things like trees, plants, and flowers. In one of her installations, bamboo reeds are made of wrapped cotton swabs, pools and droplets of water are suggested by mirrors, insects and flowers merge in suspended swarms of glossy petal and wing shapes, and house plants are equipped with their own rubber feeding tubes and wheels for easy transport.
